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Of those two, “Hypnotic House (Mortal Kombat)” came first.
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Eight songs (one for each playable character in the original game, plus one for the four-armed Goro) served as the bulk of the album two additional tracks about the Mortal Kombat tournament more broadly rounded things out. The sound effects Midway provided were a huge boon, allowing the pair to sample the actual sound of Sub-Zero freezing somebody rather than attempting to re-create it. “We made a song about every character - Sonya Blade, Luke Cage, Goro,” Engelen says, listing off a few of the franchise’s most iconic fighters. So Midway Games, the developer behind Mortal Kombat, got them set up with a copy of the game, detailed information about the various characters, and a library of sound effects they could sample in their songs. “He said, ‘Are you interested in doing music for this game?’”Įngelen was familiar with Mortal Kombat from its popularity in arcades and because the game was originally meant to be based on Jean-Claude Van Damme, a fellow Belgian. manager because Lords of Acid was starting to get more and more popular in America,” Engelen tells Vulture. It makes sense, then, that the creatives behind Mortal Kombat - itself an eclectic, trendsetting, and controversial game - turned to similarly genre-blurring musicians with a sweeping understanding of every in-vogue sound to help build hype for their upcoming release. (“We used a lot of samples from porn movies,” Engelen remembers.) Even when the New Beat sound started to die down, Lords of Acid found success outside Belgium in the United States and Japan. Theirs is a discography that folds house, acid house, and techno into its creases, but Engelen and Adams’s most popular project, Lords of Acid, specialized in the Belgian-born New Beat genre, blending New Wave elements and plenty of eroticism. They started making music in the late ’80s, right as the electronic-music scene was really taking off in Belgium. The Mortal Kombat album is credited to The Immortals, but that name is just one of many musical projects the pair were involved in. Twenty-six years later, Adams and Engelen now say they didn’t know the life span the project would have at the time. The tight deadline led to a now-iconic theme that has since lived on across movies and games and has been covered constantly. Belgian musicians Olivier Adams and Maurice “Praga Khan” Engelen, known for their work as electronic group Lords of Acid, were tasked with making an original album to promote the home-console release of the classic arcade fighting game, but were only given a month between tours to do so. The theme, which appears as a remixed version in the upcoming film, has a breakneck, almost frenetic pulse - which makes sense, especially when you consider that the original song and additional nine tracks that rounded out 1994’s Mortal Kombat album were all written in a similarly hasty four-week period. Fighters will vanquish their foes with extremely graphic “fatalities.” And, never fear, you’ll hear that iconic Mortal Kombat theme music - the pounding, rapid techno beat interrupted by a bellowing “Mor-tal Kom-baaaaat!” You’ll see iconic characters like the icy Cryomancer Sub-Zero and the ferocious ninja Scorpion. If you’re excited to see the new Mortal Kombat movie, which hits theaters and HBO Max on April 23, you’re also probably walking in with some familiar expectations. Photo-Illustration: by Vulture, Photos by New Line Cinema and Warner Bros.